Finding joy in variety, Liz Pearse is a musician of many pursuits. After a childhood spent playing every instrument she could lay hands upon, Liz began exploring the endless possibilities of the voice. Hers is an instrument possessing an unusual range, color, and versatility, leading to performances of medieval to modern music on stages around the world. 
Liz has a special affinity for music post-1900. As a soloist, her recent projects include multiple performances of Pierrot lunaire, touring Olivier Messiaen’s Harawi, electroacoustic programming including Philomel, and on-going commissions dedicated to the creation of works for self-accompanying soprano. In addition, Liz forms one-quarter of Quince Ensemble, a treble quartet dedicated to the creation and performance of contemporary vocal literature. With Quince, Liz has performed on tours of Morton Feldman’s Three Voices, David Lang’s love fail (including the work’s Polish premiere), and on numerous collegiate residencies and festivals from coast to coast. Quince’s second album Husherswill appear on New Focus Records in early 2017.
In previous seasons, Liz has had the privilege of performing at the Lucerne Festival, singing Berio's Coro under the baton of Sir Simon Rattle. She also performed at soundSCAPE Festival in Italy, where in 2013 she shared the distinction of "Outstanding Performer" with her brother, conductor and percussionist John J. Pearse. Other chamber and solo engagements have included the Toronto Electroacoustic Symposium; (le) poisson rouge; Omaha Under the Radar; Kerrytown Concert House; Baldwin Wallace University; and Constellation Chicago. Her opera credits include Lyric Opera Kansas City, Michigan Opera Theatre, Toledo Opera, and Opera in the Ozarks, in addition to many performances with Indiana University and Bowling Green State University Opera Theatre. 
As a doctoral student of Contemporary Music at Bowling Green State University in Ohio, Liz researches the prevalence and incorporation of contemporary repertoire in the collegiate voice studio. Doctoral recitals included Messiaen's Harawi and an electroacoustic program, among a diverse range of art song and chamber programs. She also won both the Dr. Marjorie Conrad Art Song Competition and the BGSU Competitions in Music concerto competition while at BG, and her mentor at BGSU is Dr. Jane Schoonmaker Rodgers. Prior to her doctoral work, Liz studied with Patricia Stiles at Indiana University.  More information about Liz can be found at